Heaven is a place. A place where nothing ever happens Except in these stories. I get it’s a thing. Not for me. Something about privilege, boredom, despair? Ugh

I love this podcast so much! Each month brings a new treasure.

Overall, I LOVE this podcast and its companion New Yorker fiction read from the archives. Unlike the other podcast, there’s no discussion about these new stories. This can be a problem for me sometimes. I think I am a well read, university educated person with degrees in science and postgraduate education in business administration. But I truly struggle with some of the selections presented here. As an example, I wish that Debra Treesman or anybody (like maybe the author) would explain to me what I just listened to, and read the transcription of, in “Fairy Pools”. Honest to God, I was completely lost for the entire story. Every time I thought I had started to get a grip on some part of the narrative, the author takes off in another direction and drops you down into another dimension without a hint to help you bridge the gap. Other than the fact that it has to do with a trip to Scotland, I can’t explain anything about the plot or give a sensible summary of the story. Disjointed sentences, no matter how well constructed, still need at least rudimentary structure to make sense. I really want to know what the editor at the New Yorker saw in this particular story that made it worthy of publication.

I like most of the stories, but sometimes the authors read so quickly that I have to slow down the narration. Additionally, some of the authors read their beautiful tales in a dull, robotic way - can they be encouraged to do their stories justice, and put a little inflection or tone into their narrations? I’m not expecting a master orator, but just a little feeling would really enhance the stories’ impact.

I love this podcast and its cousin, New Yorker Fiction. Since before the election, I’ve been listening to far fewer politics and news podcasts, and have found it wonderful to come here to hear stories by old favorite writers and writers unknown to me. I really enjoy the discussions of stories between the readers and the New Yorker’s fiction editor. Highly recommended!

It’s such a treat to listen to a story rather than political podcast at night. Recently, since October or so, the level of these stories has been very uneven and the readers often have very strong accents which makes for difficult listening. Clearly, Editor is very keen for variety but remember we are listening not reading which is a very different experience. I’d love an advance idea of story .

Re: David Bezmozgis reads his story “From, To” — I was curious to know why gay, Palestinian protest, Arab woman was, to me, jammed into the wonderful, ancient afterlife rituals so lovingly lived and tenderly told in this story? It seemed incongruous.

Enjoyable.

This podcast, in its simplicity and beauty, brings me so much joy. You can't control how or when things come or go. But I would miss it (so much) if it were gone.

I love listening to authors but I wish there was analysis & discussion with readers or editors like the old & new readers on the other New Yorker podcast. Questions from readers or life audience would be so interesting. Like how you watch a movie and want to discuss it after you read.,

These stories and in the mag are just superficial the past few years. You have had no indigenous authors but let’s not forget Zionist camp lol. Rise to the occasion. The writers are there. No Tommy Orange story for his brilliant Wandering Stars? Can you honestly not find one Palestinian author you can stand?

This podcast delivers exactly what its title promises—new fiction from The New Yorker, brought to life by the authors themselves. There’s something uniquely intimate about hearing a writer read their own work; the nuances of tone and rhythm reveal layers of meaning that might otherwise go unnoticed. I find myself eagerly anticipating each new episode, and I listen to the stories as soon as they’re posted. The variety of stories is another standout feature. From poignant character studies to gripping narratives, each episode offers a fresh perspective. The production is top-notch, and the balance between the writer’s voice and the atmospheric sound quality creates a seamless listening experience. Whether you’re a lifelong lover of literature or someone who’s looking for an engaging way to explore contemporary fiction, this podcast is a treasure trove. It’s my go-to for moments of inspiration and reflection, and I can’t recommend it highly enough.

This podcast is the best. I can’t read in a sustained way anymore, but for some reason I can still bear to listen. Something about the texture of the voice, the writer’s voice, bringing me the story. Thank you. Keep making these please.

Subscribing to the New Yorker can be frustrating! So many good stories and reports to read and so little time. The ability to listen to these short stories while doing chores is a marvelous treat. It helps whittle down the ever growing pile of partially read magazines.

Brilliant. Story, voice, pacing, breathtaking … everything I love in storytelling

How can o read my stories on here?

I eagerly await each podcast in this series. While not all authors are great readers, most convey the meaning and mood in an authentic and personalized way, and leave me thinking about their stories for hours afterward. But a good writer does not necessarily a good reader make. Some are unlistenable, often due to unrelenting vocal fry, monotone pitch, thick accents, bursts of three or four words with no flow to the phrasing. Or, as in this week’s episode, the reader over-enunciates each word as if he is using voice recognition software or is reading words he doesn’t understand (but he wrote it!) Couldn’t listen to it.

Like a sparkling scrumptious bonbon waiting on my nightstand ~ I devour each new short story podcast from The New Yorker the day (hour!) it arrives. Full stop the best podcasts out there. Zero unplayed episodes.

An honor to hear the voices.

I listen to your podcasts daily and find them perfect bedtime companions. Thank you!

Loved this intricate story. Listened to it a 2nd time right after the 1st time.

The Writer’s Voice is a great way to enjoy new short stories, read by the author.

The excessive, repetitive use of profanity and vulgarity doesn’t speak to literary imagination or creative command of the English language. Do better.

This was the worst episode you’ve ever put out. It was not clever in the least. If I want this type of work I can produce it myself or find it elsewhere. Really disappointed in the New Yorker for this one.

Thanks to the New Yorker and its authors for this great free extra.

Would love a description of the story with a heads up re violence. Is the New Yorker too elite and minimalist for that?

Just listened to Jamie Quattro. I loved her story. Thank you for this podcast

I had to put down the knife I was chopping kale with to be with the bus driver until the very end. Yogurt Stories. Mesmerizing. The author’s soft tone and easy pace illuminated the story.

I’m so happy this podcast exists. Love the whispery MC. But seconding what another review said, it would be cool to have a very loose story description. I wanna add this to my podcast rotation at work and play this for my coworkers but given the lack of information I’m afraid to risk it!

THE NEW YORKER has no excuse for the poor sound quality of these readings. Podcasts have evolved yet these still can sound like someone on speakerphone. An embarrassment. Spend some money to send authors mics, for the love of god.

Brilliant debut, Makkai <3

Some hits, some misses but always interesting. We live in wondrous times to have all these stories at our fingertips. Thank you!

Deborah seems to select stories that revolve around the health problems of Gen Xers and Boomers (I and II). I understand death adds suspense and thats their target market, but every story seems to be quietly laced with someone dying or at the hospital. I just wonder how Treismans successor will liven up the joint.

I love the Family Markowitz by Allegra Goodman but felt her most recent story was rather dull. As a recently, divorced woman, myself, I did not find the story satisfying, or realistic. I am sure that someone’s experience can be like this, and it did make me feel well-wishing for all of the characters, but it was almost like reading a young adult novel instead of an adult, one with more varied and nuanced experiences within one family, which I have noted in her previous work. I had a similar experience with the Rivka Galchen story. I thought it was a better story, and generally more satisfying, but not as good as other work, as I have seen of hers in the New Yorker.

While there’s an interesting, eclectic mix of stories as told by the authors, some have such poor audio quality that I stopped listening because I couldn’t hear or understand what was being said.

Hearing the writers read their own work is so gratifying. Thank you! Such a nice bonus for students of creative writing. I wish there was a quality podcast for nonfiction writers/memoirists/essayists to read their work as well!

I’m thoroughly smitten by this podcast. The writers are superb and the storytelling is spellbinding. I always come away with a sense of awe about how creative and imaginative writers can be.

My time spent listening is so joyful thank you all for this podcast

The best podcast, a treasure, I would grieve if it ended.

Perfect for my afternoon walk. Thank you!

Wish you had descriptions for the stories.

Wonderful delivery and content

Too good for good.

Not having a story description to refer to as the only reason you don’t get five stars right now.

Please think of the hearing challenged when producing these podcasts. Music in the introduction makes it nearly impossible to hear the voice. And the sound quality is not good. Sorry, I would really like to listen to these.

To hear these stories read is just marvelous. Listening is my bedtime ritual. I do wish there was some précis of the story, but I do fine without one. The Irish readers are bliss.

Great authors, top notch production and new content regularly.

Anyone who has loved a New Yorker short story can find more here. Curated stories read by the author. I do find it strange they have set up for an author to read but don’t think it’s worth it to discuss the piece. Still, it’s free and it’s a very valuable bite sized piece of American literature every week. Can’t complain

Interesting reads

A generous offering of excellent stories by exceptional writers.