The other day I spent about 40 minutes working on one of the new captures from Eastern Oregon. I converted it to a black and white, dealt with the delicate issues of balancing lights and darks, fussed and tweaked until I felt I had an interesting and artistic rendition of the scene that was an accurate vision of my response. The first comment I received from one of the family members was that she preferred the color image, before I had done any processing at all. This is the core of a huge dilemma in fine art photography. Sometimes our objective for making a photograph (artistic expression) is not at all what our viewers' expectations are (representationalism).