Deep Questions with Cal Newport
Deep Questions with Cal Newport
Cal Newport
Ep. 205: Why I’m a Bad Correspondent
1 hour 7 minutes Posted Jul 18, 2022 at 11:00 am.
]Why Cal is a bad correspondent [11:44]- Can everyone become so good they can’t be ignored? [25:32]- Should temperament affect job choice? [29:06]- Teaching deep work in schools [33:20] - When does Cal listen to podcasts? [37:46]- How do I succeed in podcasting? [38:57]- Why is Cal so contrarian? [56:22]- How do I stay a digital minimalist after having a baby? [59:31]- How do I teach my family and friends about the deep life? [1:02:23]Thanks to our Sponsors:MyBodyTutor.com EightSleep.com/DeepZBiotics.com/CalBlinkist.com/DeepThanks to Jesse Miller for production, Jay Kerstens for the intro music, and Mark Miles for mastering.
Finding time to self-study
Why Cal is a bad correspondent
Can everyone become so good they can’t be ignored?
Should temperament affect job choice?
Teaching deep work in schools
When does Cal listen to podcasts?
How do I succeed in podcasting?
Why is Cal so contrarian?
How do I stay a digital minimalist after having a baby?
How do I teach my family and friends about the deep life?
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Show notes
With Jesse away on vacation, Cal decides to tackle 10 questions in a row, all in one take, with no breaks, covering everything from complaints about Cal’s inaccessibility, to teaching deep work in schools, to a long pontification (read: rant) on the podcasting industry.- Finding time to self-study [5:38]- Why Cal is a bad correspondent [11:44]- Can everyone become so good they can’t be ignored? [25:32]- Should temperament affect job choice? [29:06]- Teaching deep work in schools [33:20] - When does Cal listen to podcasts? [37:46]- How do I succeed in podcasting? [38:57]- Why is Cal so contrarian? [56:22]- How do I stay a digital minimalist after having a baby? [59:31]- How do I teach my family and friends about the deep life? [1:02:23]Thanks to our Sponsors:MyBodyTutor.com EightSleep.com/DeepZBiotics.com/CalBlinkist.com/DeepThanks to Jesse Miller for production, Jay Kerstens for the intro music, and Mark Miles for mastering.